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Stepping slowly out of the proverbial closet, student Robert ducks inside an adult magazine shop outfitted with private, curtained movie booths. In brilliant black-and-white, the film follows tousle-haired 18-year old Robert (Robert Adams) and 28-year old Tom (Robert Carnagey) around the streets of San Francisco. “Washed-out color, shitty prints, lousy soundtracks.” The rant provides a smooth setup for Strangers to exceed that standard, which it does as a piece of filmmaking and same-sex romance that just happens to feature plentiful nudity, anal, oral, and orgasms. Portraying the projectionist that’s running the flick, Bressan proceeds to trash it for a good laugh, ragging on what passes for standard in the XXX industry. Robert Adams and Robert Carnagey in “Passing Strangers” Passing Strangers (1974)īressan has the audacity to open Passing Strangers, one of the few sexually explicit gay indies of the ’70s, with a grainy scene of straight sex - revealed to be playing onscreen at a porn theater. Lured, however, by the men, the mood, and the attitude of the sexually liberated ’70s and ’80s, I stuck with the PinkLabelTV Classics, billed as “vintage adult film from the silver and golden age of porn.” Bressan’s work was a highlight of my trip back in time, but Passing Strangers and Forbidden Letters were just the beginning. Practically all genders and tastes are celebrated in a collection spanning decades, up to some brand-new releases.
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As of this August, both are available exclusively on PinkLabelTV, either streaming on-demand or with a PinkLabelTV PLUS subscription.įounded in 2013 by queer feminist producer and director Shine Louise Houston, the PinkLabel platform is a treasure trove of indie adult entertainment, with diverse titles grouped into several appealing channels. Two of them, Passing Strangers and Forbidden Letters, represent the plot-driven gay male erotica Bressan is better known for, and are the latest of his films to be restored by the Bressan Project. Bressan, Jr., including his landmark 1978 documentary Gay USA, chronicling the LGBTQ rights movement, and the wrenching 1985 drama Buddies, the first feature film to tackle the AIDS crisis.īressan himself succumbed to complications related to AIDS in 1987, following a prolific period in which the native New Yorker directed ten films in ten years. For several years, Olson and the Bressan Project have worked to restore the films of pioneering gay filmmaker Arthur J. The journey down the virtual video aisles of streaming platform PinkLabelTV began with a message from Jenni Olson, filmmaker, film historian, and co-director of the Bressan Project. I masked and distanced, marched and protested, hiked through a forest and laid on a beach. I mourned a death in the family, along with the deaths of many I didn’t know. I also worked from home, at seemingly all hours, and tried to keep up with the world’s deluge of conflict and disruption. I didn’t just watch porn all summer, of course, but I watched more porn than usual. Perhaps there are those who’d decline or scoff at the opportunity.
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Borrow a streaming service password from family– however you define it!–and enjoy.Wakefield Poole’s “Boys in the Sand” - Vintage Gay Adult FilmsĪt some point during the quarantine, a well-curated adult entertainment website approached me, offering access to peruse their voluminous catalog. Representation matters, and these films provide a variety of archetypes, stories and styles for you to lose and/or find yourself in. Pride– real pride– requires self-knowledge, and it's hard to know who you are when you can't see who you can be. While gay characters tended until much too recently to be one-dimensional, white, marginal, and doomed, in 2018 Barry Jenkins won a Best Picture Oscar telling the layered and hopeful story of a gay Black man in Moonlight. Queer cinema has evolved too, from the shoestring brilliance of The Watermelon Woman to the big-budget glitter-fest that is Rocketman.
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But queer characters have come a long way in a relatively short time, from the self-loathing middle-aged men of 1970's The Boys In The Band to the headstrong misfits of this summer's Fire Island. LGBTQ-centered films are still pretty rare– particularly from major studios, as the buzz around Bros reveals. But it's also an opportunity to learn your queer history, and a self-curated LGBTQ film festival is a great way to do that. It's a great time to march, and to party, and to be marketed to. It's Pride Month, as a whole lot of rainbow corporate logos have already told you.